Military Homecoming Songs - Thank you for visiting Jo, my God! I'm so glad you found me! If you love Jo, My Gosh!, don't miss a message by subscribing to my newsletter! By the way, this post may contain affiliate links and this blog is for entertainment purposes only.
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Military Homecoming Songs
It's the day you start dreaming about from the moment you say goodbye to your loved one on the bus, at the airport or in the parking lot. Your worst implantation day is the day you imagine. It is the goal. Day Zero (if you count) or [Insert your number here] Day (if you count). There's nothing nicer to think about during deployment... and nothing more elusive.
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During John's implementation, I spent a lot of time thinking about what I wanted Homecoming to look like. What I wanted to wear. How I wanted to look. Exactly what I thought I was going to say.
If you've ever been through at least one deployment, you know that all of your carefully crafted plans can easily go out the window at any moment. It doesn't matter how much you've dreamed of that exact moment. Or how much you prepared, planned, wrote to-do lists or taped. It's very easy to change your homecoming. Because... the military. And so
And that's fine. I mean, it has to be. Dream all you want about coming home. Don't get too attached to all the details. They can change.
One way to dream about prom is to make a playlist. Remember my last care package? In that message, I mentioned that I sent John a CD with a welcome mix. "Welcome home, now let's get married" was the headline. Here are the welcome theme songs I put together. I'll keep the love songs between me and John, but feel free to enjoy the songs:
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This post is sponsored by Nakturnal. All opinions and work are my own. There is something wonderful about surprising a friend with a gift. Or
Thank you for sponsoring this Prepare/Get Rich post. All opinions are entirely my own. If there is one thing, from the beginning of our relationship, John and I
John and I will forever be newlyweds. (Well, of course, according to the calendar, we're not anymore. But we're trying never to lose that. The attached digital images, content and recordings are copyrighted. It's reproduced here for research and study purposes only. If you want. use or quote this recording and images , contact the Memorial Research Center via info@ or 02 6243 4315.
Sheet music for the instrumental piece 'The Soldier's Homecoming', with music composed by Carl Reber. This copy was published by WH Paling and Co, Sydney in 1916 and was printed in England. Copies of the song were sold for 2/ and were numbered 223 in Paling's Pianoforte Series.
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The cover features a light blue background with the title of the song printed in bold type on top of a decorative plate with more descriptive information about the work, including the composer's name, genre, and instrument. This music copy also includes the first bars of Gordon French's 'Mountain mists', 'Thoughts', 'An Autumn reverie' and 'Falling stars' as well as 'Summer Showers', 'Sweet records', 'Tete a tête'. and Clarence Elkin's 'Pirouette'.
This piano solo is described on the cover as a descriptive fantasy of the arrival of a troop ship. Carl Reber composed descriptive piano pieces that have been described as belonging to the chamber music genre. Costumes form a subgenre of this category and were popular in the 19th century. Descriptive fantasia is a type of musical composition that describes an event with music that also includes tunes that many people know or recognize. Such works were very popular with pianists for hall performances and also allowed the audience to participate vocally in passages of popular songs.
This piece of music expresses the feelings experienced by the soldiers and their loved ones who remained in Australia during the First World War. The opening synopsis of the play reads: "The ship is seen approaching the harbor - Veterans and crowds waiting to arrive at the dock - Horns and drum effects enter - Hornpipe - 'The Gay Marines' - Soldiers disembark and march through town Bugle Band, Drum and Fife Band, Scottish Pipers and Full Military Bandera". The song describes the arrival of a troop ship at Sydney's Circular Quay and has two scenes to illustrate the event.
The first scene takes place in Sydney Harbour, the troopship is seen from a distance by veterans and cheering crowds. In this part of the work, 'Orders' and 'Fall In!' Army bugle passages like The musical representation of the scene also includes the sound of drums and the sound of drums, along with parts of the popular song 'The Song of Australia'.
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The second scene depicts the landing of the troops and their subsequent march through the city, accompanied by drums, pipes, bagpipes and horns, ending with 'A Highland Lass My Love was born', excerpts from 'Red, White and Blue'. 'Rule Britannia'.
Carl Reber was known for his descriptive pieces and wrote a series of these works under the title "Life Pictures". Among them, among others, the musical work entitled 'The life of a soldier'. His most famous piece was entitled 'Remembrance', and most of his music was published in London between 1908 and 1916. The National Library of Australia has the largest collection of his music in the world with 17 pieces. The name 'Carl Reber' is believed to be a nickname in some circles. The National Library of Australia has a copy of this piece with the name 'Cyril Stafford' on the cover. Reber's other works include 'The Slave's Dream', 'Ellan Vannin', 'The Firemen', 'The Emigrant Boat', 'Country Scenes', 'A Summer Song', 'Evening Meditation' and 'Fantasias of Autumn'. '. Another series of musical works he produced were based on popular arias and were called 'Boa Companhia'.
At the bottom of this page is a sound recording of this score or parody created as part of the Music and the First World War project. More information about this recording, including the names of the performers, can be found in the sound recording catalog record. The link to the sound recording catalog entry can be found at the bottom of this page under the 'Related Objects' heading, where it can be identified by the [sound recording] prefix.
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